​​​In an era of spiritual exhaustion as the universe accelerates toward disorder, Duofu’s practice serves as a precise calibration of contemporary civilization. Rooted in his original philosophy of "MetaEntropism," his visual language transforms the canvas into a strategic dam within the relentless torrent of space-time.

Within this body of work, the signature intersection of vertical and horizontal lines ceases to be mere geometric structure; instead, it functions as a sensory instrument deconstructing the digital order. Bold, pure blocks of color are deliberately severed on the verge of overflowing, forcefully yet elegantly pressing the "Pause" button on existence. As the artist declares: "All things are not about the result; entropy is itself." Rejecting futile attempts to cling to the past, Duofu utilizes the defiant collision of color and line to clear the chaotic noise of the world at the exact moment of an abrupt halt, capturing the historic presence of the "Primordial Spirit" (Yuan Shen) hidden deep within all things.

Bridging the boundaries between the virtual and the physical, these works freeze a perennial, orderly texture of life amidst a disordered world, inviting the viewer to focus on existence itself.